My main method of research for this assignment has been internet research which has been very productive. I tried another method of research which was to find magazines with articles on Dead Man's Shoes at the university of Brighton library but only found one physical copy which was a issue of Sight and Sound magazine. The other magazine articles in my research came from websites.
My internet research was very successful as I found at nearly everything I needed to know about the financing, production, distribution and music rights of my film. Although unfortunately I was not able to find out the name of the music supervisor during my internet research of my film. As I have already mentioned above my magazine article research was fairly unsuccessful but I think this was because the library did not have issues of other film magazines with articles on Dead Man's Shoes which I ended up finding online.
I think what I would have done differently would have been to interview someone who had worked on the film and looked for magazine articles on Shane Meadows and Paddy Considine. These processes may also be used to find out completely different information about the film for example its rating on IMDB. The validity of the information collected from each method of my research is very strong as they are backed up by sources and are written by professionals and experts. Overall I think I have my research has been very successful although a possible weakness is that one or two websites I looked at for research did not appear to have an author.
I found that websites like IMDB, Wikipedia and official Dead Man's Shoes and Shane Meadows sites to be the most helpful in my research. The film review sites and forums I found were only helpful regarding the genre and audience part of my research. Online newspaper articles were also very useful in my research of Shane Meadows and Paddy Considine.
Tuesday, 11 December 2012
DMS Research - Box Office Foreign
| Country (click to view weekend breakdown) | Dist. | Release Date | Opening Wknd | % of Total | Total Gross / As Of | |
| FOREIGN TOTAL | - | 10/1/04 | n/a | - | $191,673 | 11/2/06 |
 | ||||||
| Australia | Hopscotch | 10/12/06 | - | - | $5,369 | 11/2/06 |
| United Kingdom | Optimum | 10/1/04 | $79,786 | 42.8% | $186,304 | 10/10/04 |
DMS Research - Box Office Weekend and Weekly
2006
Italics indicate four day weekend.
| Date (click to view chart) | Rank | Weekend Gross | % Change | Theaters | Change / Avg. | Gross-to-Date | Week # | |
| 109 | $1,825 | - | 1 | - | $1,825 | $1,825 | 1 | |
| 115 | $1,039 | -43.1% | 2 | +1 | $519 | $4,048 | 2 | |
| 101 | $905 | -12.9% | 2 | - | $452 | $5,793 | 3 | |
| 110 | $1,125 | +8.3% | 2 | - | $562 | $6,013 | 3 | |
2006
| Date (click to view chart) | Rank | Weekly Gross | % Change | Theaters / Change | Avg. | Gross-to-Date | Week # | |
| 109 | $3,009 | - | 1 | - | $3,009 | $3,009 | 1 | |
| 115 | $1,879 | -37.6% | 2 | +1 | $940 | $4,888 | 2 | |
| 110 | $1,520 | -19.1% | 2 | - | $760 | $6,408 | 3 | |
DMS Research - Box Office
Dead Man's Shoes
| ||||||||
Total Lifetime Grosses
Domestic Summary
| ||||||||||||||||||||||||||
DMS Research - Empire's The 100 Best British Films Ever
| |||||||||||
 | |||||||||||
 | | Dead Man's Shoes (2004)
Directed by Shane Meadows
Starring Paddy Considine, Toby Kebell, Stuart Wolfenden, Gary Stretch
Most films on this list are here primarily because of the person behind the camera. In this case, and with no disrespect to Shane Meadows' assured direction, it's the stunning turn by its star and co-writer, Paddy Considine, that's won it a place. He's the spine of the film, an ex-soldier who returns to his hometown and brings down a world of pain on the men who bullied his younger brother. The result is a sort of Sympathy For Mr Vengeance for Derbyshire, a brutal but strangely compassionate look at a ruthless and violent figure, a sort of slasher movie in reverse. A showcase for a deserving actor, and a perfect example of the indie sector's ability to tackle storylines that studios would shy away from, this is one of the finest British films in years.
| |||||||||
DMS Research - Empire's 500 greatest movies of all time
462
Dead Man's Shoes (2004)
Director: Shane Meadows
Meadows' small-town vigilante movie restages Get Carter with pathetic rural crooks harried by Paddy Considine's vigilante in a gas mask. "What are you looking at?" "You, you cunt!"Read Review
Director: Shane Meadows
Meadows' small-town vigilante movie restages Get Carter with pathetic rural crooks harried by Paddy Considine's vigilante in a gas mask. "What are you looking at?" "You, you cunt!"Read Review
http://www.empireonline.com/500/8.asp
Review
Dead Man's Shoes
Plot
Army-trained Richard (Considine) returns to his hometown with his mentally-challenged younger brother, Anthony (Kebbell), in tow. Anthony has been used and abused by a raggedy bunch of local drug dealers, and Richard plans to teach the bullies a deadly lesson...
Army-trained Richard (Considine) returns to his hometown with his mentally-challenged younger brother, Anthony (Kebbell), in tow. Anthony has been used and abused by a raggedy bunch of local drug dealers, and Richard plans to teach the bullies a deadly lesson...
Review
Shane Meadows' raw revenge flick should be called Sympathy For The Bogeyman, because the director dusts off the invincible-killer-picks-off-teens routine and tells it from the bogeyman's point of view. The result is a thoughtful, possibly controversial, horror that offers none of the easy comforts typical of the genre – these victims are far from innocent, but do they deserve to die?
The film is so pure of purpose that it feels like a zero-budget debut; after the sprawling Once Upon A Time In The Midlands, that may have been Meadows' intention. Its first steps are, in fact, faltering, with the supporting cast struggling to improvise necessary exposition – but whenever Considine is onscreen, the movie has a magnetic centre around which the others can happily orbit.
Potentially Britain's answer to De Niro, the actor made a searing debut in Meadow's A Room For Romeo Brass, a film that boldly changed gear halfway through. This is even more fearless – genre conventions are trashed, key characters summarily dispatched and liberal niceties squashed. Meadows may not offer genuine insight into the psychology of monsters, but here he has created a memorable movie bogeyman.
Shane Meadows' raw revenge flick should be called Sympathy For The Bogeyman, because the director dusts off the invincible-killer-picks-off-teens routine and tells it from the bogeyman's point of view. The result is a thoughtful, possibly controversial, horror that offers none of the easy comforts typical of the genre – these victims are far from innocent, but do they deserve to die?
The film is so pure of purpose that it feels like a zero-budget debut; after the sprawling Once Upon A Time In The Midlands, that may have been Meadows' intention. Its first steps are, in fact, faltering, with the supporting cast struggling to improvise necessary exposition – but whenever Considine is onscreen, the movie has a magnetic centre around which the others can happily orbit.
Potentially Britain's answer to De Niro, the actor made a searing debut in Meadow's A Room For Romeo Brass, a film that boldly changed gear halfway through. This is even more fearless – genre conventions are trashed, key characters summarily dispatched and liberal niceties squashed. Meadows may not offer genuine insight into the psychology of monsters, but here he has created a memorable movie bogeyman.
Verdict
Disturbing, uncompromising and completely gripping, this could do for slasher movies what 28 Days Later did for zombie flicks.
Reviewed by Colin Kennedy
Disturbing, uncompromising and completely gripping, this could do for slasher movies what 28 Days Later did for zombie flicks.
Reviewed by Colin Kennedy
http://www.empireonline.com/reviews/reviewcomplete.asp?DVDID=10457
DMS Research - Online Articles
Dir: Shane Meadows. UK.2004. 90mins
Dead Man’s Shoes is billed as a return to basics
for Shane Meadows after the relative disappointment of his last feature, Once
Upon A Time In The Midlands. Semi-improvised, this is a project striving
after the raw edge and dynamism which characterized Meadows’ shorts (for
instance, Where’s The Money, Ronnie’)
His ability to mix humour, violence and lyricism remains unimpaired, but
Dead Man’s Shoes is a frustrating mish-mash of different genre elements
(horror film, revenge western, social realist drama) which is ultimately let
down by its own posturing and machismo.
Meadows is a paradox: a populist filmmaker cherished by critics and
festival programmers but whose work is yet to find a wide audience. 24:7,
his debut feature and still arguably his most accomplished film, sold widely in
the international marketplace, but then under performed at the box-office both
in Britain and abroad.
His two subsequent features, A Room For Romeo Brass and Once
Upon A Time, like wise garnered reasonable reviews without making much
money. There is little evidence that Meadows’ latest effort will buck the
trend.
Though it will show up on the festival circuit - it plays both Venice
and Toronto among others after its premiere at Edinburgh - international
distributors may well keep their distance unless the film shows some legs in
the British market (where it is being released by Optimum in October). Whether
it will do so is a moot point. The downbeat box office fate of Bille
Eltringham’s This Is Not A Love Song, another intense, low-budget
British drama that won plaudits on the festival circuit, suggests that this may
be a tricky sell at home as well as abroad.
As ever with Meadows, the action is set in the Midlands. The story
begins in striking fashion (Meadowshas always had an eye for a shot) with two
silhouetted figures seen on the horizon. One is Richard (Considine), a bearded,
enigmatic army veteran, the other his sweet-natured but simple-minded brother
Anthony (Toby Kebell) to whom he is devoted.
As in John Sturges’ celebrated modern-day western, Bad Day At Black
Rock, they are coming to a town where the locals are harboring a very
guilty secret. In the years that Richard was away with the army, Anthony was
taunted, humiliated and physically abused by Sonny (played by ex-professional
boxer, Gary Stretch), the local drug dealer, and his motley crew of thugs. Now
Richard wants revenge.
What makes the film so disconcerting are the random shifts in tone.
Early on, while the lads in Sonny’s gang mislay drugs, read articles in porno
mags and mooch about their flats, the mood is comic. There’s a deadpan humour
familiar to British audiences from comedian Steve Coogan’s Paul Calf sketches
or indeed from Meadows’ mini-feature Small Time. The protagonists may be
feckless petty criminals, but they’re also likable and self-mocking types,
trying to while away the boredom of life in a depressed Midlands town.
Once Richard gets down to business, the playfulness rapidly disappears.
We learn in gruelling flashbacks just how badly Anthony was abused. It also
becomes apparent that Richard is an angel of death, determined to kill his
brother’s tormentors in as sadistic away as possible. All of a sudden, as the
bloodletting begins in earnest, the film lurches off into Grand Guignol, Texas
Chainsaw-style territory.
At times, the film seems like a boys’ own wish fulfillment fantasy.
(With the exception of Shirley Henderson in Once Upon A Time In The Midlands,
Meadows’ films feature few strong female characters.) There are far fewer of
the lyrical interludes which are found in the director’s earlier films - for
instance, the beautiful, slow-motion sequence of Bob Hoskins’ boxing trainer
dancing a waltz with his elderly aunt in 24:7. The quietest moments here
- notably the scenes between Richard and his brother hiding away in the
countryside, reminiscing about old times - are the most affecting, but they’re
in short supply.
The attitude toward character is often confusing. Small-time hustlers
like Herbie (StuartWolfenden), Soz (Neil Bell) and Tuff (Paul Sadot), who
initially seemed comic and sympathetic, are transformed into one-dimensional
villains waiting the irturn to be bumped off. Richard torments them, feeds them
drugs and prolongs their deaths. His behavior toward them is so violent and
excessive - and their treatment of Anthony so repellent - that we’re left with
a narrative in which all the protagonists seem equally loathsome.
Though Dead Man’s Shoes purports to explore “the underbelly of
contemporary rural Britain, ”Meadows isn’t really interested in exploring the
reality of life in a provincial town. He portrays a world in which half-a-dozen
people in a small-knit community can be killed without the neighbors raising
the alarm or the police intervening.
Considine brings menace and quiet intensity to the role of Richard,
playing him as a Midlands version of Clint Eastwood’s high plains drifter. A
final reel twist provides a belated explanation as to why he behaves with such
viciousness, but by then, he is likely to have forfeited the sympathies of most
spectators.
Individual sequences are powerful, comic and touching by turns - they
just don’t hang together with any coherence. The filmmakers shot Dead Man’s Shoes
at break neck pace, using real locations, adding dialogue and re-writing the
screenplay as they went along. Maybe such an approach was liberating but it
surely also explains why the film so often feels inchoate and unstructured.
For several years now, Meadows has been touted as “the great Brit hope.”
Here, though, as with Once Upon A Time In The Midlands, there is a
dispiriting sense that he is still marking time.
Prod
cos:Warp Films, FilmFour, East Midlands Media Investments
UK dist:Optimum
Releasing
Int’l sales:Element X,(44) 20 73171440
Exec prods:Peter
Carlton, WillClarke, Steve Beckett
Prod:Mark Herbert
Co-prod:Louise
Knight
Scr:Paddy Considine, ShaneMeadows
Cine:Danny Cohen
Ed:Chris
Wyatt
Main cast:Paddy Considine, GaryStretch, Toby Keb, Stuart Wolfenden,
Neil Bell, Paul Sadot
Wednesday, 28 November 2012
DMS Research - Reviews
Reviewer's Rating  User Rating |
| Dead Man's Shoes (2004) |
| Reviewed by Jamie Russell Updated 28 September 2004 |  Contains very strong language, strong violence and hard drug use |
 | |
Death Wish comes to the streets of Derbyshire in Dead Man's Shoes, Shane Meadows' pared-down tale of vigilante vengeance. Working off his own script, Paddy Considine stars as Richard, a wild-eyed ex-army man back in town to track down the local drug dealers who tortured his retarded brother. A thorny take on the morality of crime and punishment, it's a back-to-basics guerrilla production that sees Meadows heading back to familiar gritty territory after his ambitious British comedy western Once Upon A Time In The Midlands.
What you see in Dead Man's Shoes is pretty much what you get, as Considine's crazed killer heads back into town and stirs up trouble. Tracking down the men responsible for molesting and torturing his younger brother Anthony (Tony Kebbell) during a drug binge led by local nutter Sonny (Gary Stretch), Richard starts off by spooking them. Then things turn nasty as a series of DIY murders involving army knives, axes, and plastic bags come into play. Focusing on Considine's trail of carefully planned carnage, it's like watching a live action version of controversial videogame Manhunt. The 18 certificate is undoubtedly warranted.
"THE VIOLENCE IS NASTY AND UNGLAMORISED"
Hold Considine's thousand yard stare for too long and you'll glimpse the horrific darkness that's burning in his heart. This is a man who's seen far more than just basic training, and the actor's tortured intensity challenges us to condone or condemn him as the film's tragedy unfolds: "You. You're supposed to be a monster. Now I'm the ******* beast."
While the semi-detached rural backdrop gives this Midlands tale's violence a strangely incongruous sense of place, it's the moral questioning that ensures the film has power. The druggy thugs may be scum, but the film isn't certain whether or not they really deserve to die. As a result, the violence - nasty and unglamorised - delivers a short, sharp shock to the moral nether regions, as it demands: what would you do?
http://www.bbc.co.uk/films/2004/09/16/dead_mans_shoes_2004_review.shtml
EMPIRE MAGAZINE - NOVEMBER 2004 |
 With 'Dead Man's Shoes' star Paddy Considine tipped to step into a famous pair of old size nines Empire asks...
Is this the next Robert De Niro?
Words Mark Dinning, Portrait Paul Ryder.When Paddy Considine was 17 years old God came to visit him one afternoon in the park. Considine, who was magic-mushroomed up to the eyeballs at the time, was well aware that God worked in mysterious ways. What he hadn't realised was quite what a colourful vocabulary the Big man had at his disposal. "Have a panic attack, you cunt", said God. "Let's see how you fucking deal with that." Not surprisingly, this was the last time that Considine now 31, ever touched drugs. It was also the first of three key moments that have defined his life to date. The third and most recent was the birth of his son, Jack. The second was meeting Shane Meadows. Having hooked up in college and started a band together - with, if we're being perfectly honest, the sole intention of getting laid - the pair swiftly became best friends, so, when Meadows came to cast the part of council estate loner Morell in his A Room for Romeo Brass (1999), he needed to look no further. Considine, who had tried his hand at photography and roofing but was now on the dole, needed just seven words from Meadows to convince him to make his acting debut: "This is your Johnny Boy." And boy, was he right. Ever since, Considine has busily established himself at the high end of the British film industry. (Last Resort, 24 hour party people), and last year broke his duck over the pond, with his terrific portrayal of a grieving Dad in In America. "The thing is," he says, "I didn't think about a dead kid once whilst making that film. All I was thinking about was my father, who had just died. I was really fucking depressed." Whatever the motivation, his performance brought him too the attention of Ron Howard and Russell Crowe - who consequently cast him in the upcoming 'The Cinderella Man' - and sealed his reputation as either (depending on who you ask) 'Britain's Hottest New Talent' or 'The New Robert De Niro'. Maybe it's both. He can shun the comparison with Bobby all he likes, but this month they will gather momentum with his part in Meadows' latest, Dead Man's shoes. As Richard, an ex-solider returning home to take revenge against a gang of thugs who have corrupted his simple-minded younger brother, he is once again a revelation - cold, vicious and terrifying. If Morell was his Johnny, then just wait until you meet his Travis Bickle. "You know when someone belittles you, but you're too shocked to do anything about it?" says Considine. "And then maybe a week later you'll think, 'Why the fuck didn't I smash his face in?' Well, that's what Richard's like, except he's lived with those thoughts for so long, he simply can't not act on them anymore. Anger is in his bones. "I can identify with that. And I need to. It sounds really actor-wanky, but if I don't have genuine emotional investment in a part, then it won't. I'm not some fucking dummy. If you want a bloke who'll turn up and bang out some data and coordinates for you in some sci-fi bollocks, then don't be phoning me." That's not to say Considine hasn't made his mistakes. There was one film lately, for example, in which he claims to have been "absolute dogshit". But then, that was his first time back at work after a "sort of emotional breakdown" left him so screwed up that he didn't think he'd be able to get on a train again, let alone in front of a camera. "ironically," he laughs, "It just happened after '24 hour Party people' - and I was the only one on set who hadn't been permanently zoomed out of their bonce!" Now he is firmly back in his stride, there is little left to stop him. His dreams of playing Wolverine may sadly be over - "That fucker Jackman got there first" - but with The Cinderella Man pencilled in for a serious Oscar push, Considine's profile looks set to go stratospheric, "well, hopefully. All attention will be on Russell Crowe and Renee Zellwegger, of course - you know, there were only two cats with trailers on that job! -but fingers crossed, it will open me up to a wider crowd," says Considine. "Who knows, maybe Bryan Singer will see it and want me in X-Men 5. Bryan, if you're reading, I'm working on a new character called Oreo-Man. The cunt's chocolatey, but he's fucking deadly." With that sort of language, the idea was probably a gift from God. |
http://paddyconsidine.co.uk/empire_nov04.htm
DMS Research - Paddy Considine
BIOGRAPHY |
 Paddy (Patrick) Considine, born 5th September 1974 in the Midlands town of Burton-on-Trent, Staffordshire. Considine has garnered critical acclaim over the years for his diversity of roles, for his portrayals of many memorable anti-heroes and mastery of accents, using a different speaking voice for many of the movies he has appeared in. Despite his numerous popular lead and supporting roles including a number of high profile Hollywood productions, Considine is intensely private with his personal life and is known for his apathetic stance towards celebrity and the ideals of Hollywood, once stating "If I ever become a celebrity, I'll f*cking disappear and go and make shoes like Daniel Day Lewis."As a teenager Considine studied a Performing Arts course at Burton College where he met with friend and director Shane Meadows who together formed a band called 'She talks to angels' (Paddy AKA "Bam-Bam" was their drummer). Neither finished the and Paddy went on to study photography at Brighton University where he earned a first class honours degree. After returning from university old friend Shane Meadows cast Considine in his first role in a feature film as the disturbed character Morell in 'A Room for Romeo Brass' (1999). Despite the films huge success at the Edinburgh film festival roumer has it that Paddy found himself at the local Job center the Monday following its premiere. Paddy then worked on several non-profit, unfunded short films with Meadows. However, Paddy's outstanding performance in 'A room for Romeo Brass' had not gone unnoticed and he soon  found himself cast in Pawel Pawlikowski's 'The Last Resort' (2000) the following year. Playing the love struck misfit Alfie, for which he won the best actor award at the Thessaloniki film festival.Further roles ensued and Paddy has since worked alongside actors such as Matt Damon, Russell Crowe,Renée Zellweger, Uma Thurman and Gary Oldman and has gone on to gain awards and nominations at numerous British film awards including one for his touching role as Johnny in Jim Sheridan's 'In America' (2003). As-well as his lead roles Paddy has had a number of scene stealing support roles in films such as '24 hour party people' (2002), 'Born Romantic' (2000), 'The Martins' (2001) and 'Stoned' (2005) working alongside the likes of Steve Coogan, Lee Evans, Jane Horrocks, Peter Kay, David Morrissey and Cathy Burke to name a few. Considine asserted his importance within the film world in his popular and widely recognised award winning role as Richard the revengeful brother in the applauded film 'Dead man's Shoes' (2004) which he co-wrote with Shane Meadows. This performance is widely considered to be one of the strongest performances in British cinema history. Richard is seen as the defying role of Considine's career.2004 was also witness to the exceptional supporting role as Phil the Born again Christian in Pawlikowski's award winning 'My Summer of Love' (2004) which didn't go unnoticed, receiving two Best Supporting Actor nominations.  2005 saw Paddy's first major Hollywood release hit the screen in the boxing biopic; 'Cinderella Man' (2005) alongside Hollywood A-listers; Russell Crowe and Renée Zellwegger. 'Cinderella Man' was closely followed by a standout performance as the 'killer' of Rolling Stones founder Bryan Jones in the highly criticised and relatively obscure movie; 'Stoned' (2005).Having publicly shown a disappointment with the outcome of 'Stoned' Considine took a huge leap of faith when agreeing to work with another first-time director; Koldo Serra in the Spanish financed thriller 'Backwoods' AKA 'Bosque de Sombras' (2006) a widely disparaged movie, sadly resulting in what Considine consider's to be the worst performance of his career. However, all was not lost, 'Backwoods' can be directly attributed as being the film that not only put Paddy in contact with one of his acting heros, Co-star and Brit legend; Gary Oldman but also giving Paddy the inspiration to pen his first solo screenplay which became 'Dog Altogether'. Following several professionally disappointing movies in 2005 and 2006, 2007 began strongly with the release of the 'Hot Fuzz' (2007) from the makers of the British cult classic; 'Shaun of the Dead' (2004) .Critically, the movie received many positive reviews, and was rated as highly as 'Shaun of the Dead', The film was also a huge financial success and generated £7.1 million in its first weekend of release in the UK and $5.8 in the US. Paddy made the most of a supporting role within a star studded british cast (including Simon Pegg, Steve Coogan, Jim Broadbent and Timothy Dalton) a strong performance resulting in several scene stealing moments. The success of 'Hot Fuzz' was shortly followed by the release of the third installment of the Jason Bourne spy thriller saga; 'The Bourne Ultimatum' (2007) Which saw Paddy go up against the Movie's Star lead; Matt Damon. Ultimatum is by far the most commercially successful film adaptation of a Robert Ludlum Bourne novel, and was a major box office success worldwide. 'The Bourne Ultimatum' earned $69.2 million in its opening weekend, a record for a single opening in August and totaled $422.9 million worldwide as of November 18, 2007, higher than either predecessor. As well as 'Hot Fuzz' and 'The Bourne Ultimatum' 2007 saw the release of Paddy's directorial debut; 'Dog Altogether' (2007). Considine directed and wrote 'Dog Altogether', partially based on life of his father Joseph. 'Dog Altogether' went on to win a Silver Lion Award at the 2007 Venice Film Festival for Best Short Film, and a BIFA Award for Best British Short at the 2007 British International Film Awards. 'Dog' stars Peter Mullan in the lead role as Joseph; a man who is plagued by violence and rage that is drives him to self destruction.The film also featured British actress; Olivia Colman and is the second of four successful collaborations with the actress (Hot Fuzz, Dog Altogether, Le Donk, Tyrannosaur). 2007 also saw Paddy take his first steps into the world of TV movies in a successful partnership with HBO Films (US) beginning with 'PU-239' (2007) a black comedy about the Russian Plutonium black market co-staring Aussie star Radha Mitchell with Executive Producers including George Clooney and Steven Soderbergh. 'PU-239' was well received by viewers in America which quickly sealed the deal for the second of the HBO TV movies; 'My Zinc bed' a somber story, touching on addiction, love and people lost and alone in the modern world. 'My Zinc Bed' stars Considine alongside Uma Thurman and fellow Brit Jonathan Pryce and was shown on the BBC (UK) and HBO (US) during the Autumn of 2008. 2008-2009 so far look set to see five projects emerge; 'Le Donk' a comedy mockumentary directed by Shane Meadows, 'Cry of the owl' directed by Jamie Thraves (Coldplay's 'God put a smile upon your face') a thriller adapted from the Patricia Highsmith novel of the same name, about a woman who falls in love with her stalker which Co-stars Julia Stiles (Bourne Ultimatum) ,'Tyrannosaur' a follow-up to 2007's 'Dog Altogether'. 'Tyrannosaur' is about a woman's journey to find the strength to leave an abusive relationship, and 'King of the Gypsies' based on the life of Gypsy Bare-knuckle boxing champion; Bartley Gorman. Between films Paddy has found time for involvement in popular music videos for the likes of UK indie-rock darlings; The Arctic Monkeys with 'Leave before the lights come on' (2006) for which he starred and wrote, and appearances in Coldplay's 'God put a smile upon your face' (2003) and Moloko's 'Familiar feeling' (2003) As well as a voice over on the TV advert for hit EA soccer computer game 'FIFA 07'. http://www.paddyconsidine.co.uk/ |
DMS Research - Actors
http://en.wikipedia.org/wiki/Shane_Meadows
Shane Meadows often casts certain actors more than once in his films. Meadows has most frequently worked with Paddy Considine, Vicky McClure, Andrew Shim, Thomas Turgoose, Frank Harper and Jo Hartley.
| Actor | Where's the Money, Ronnie? (1996) | Small Time(1996) | 24 7: Twenty Four Seven (1997) | A Room for Romeo Brass (1999) | Shane's World (2000) | Once Upon a Time in the Midlands (2002) | Dead Man's Shoes (2004) | Northern Soul(Short) (2004) | The Stairwell(Short) (2005) | This Is England(2006) | Somers Town (2008) | Le Donk & Scor-zay-zee (2009) | This Is England '86 (2010) | This Is England '88 (2011) | This Is England '90 (2013) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Andrew Shim |  | | | | | | | ||||||||
| Vicky McClure | | | | | | ||||||||||
| Paddy Considine | | | | | |||||||||||
| Jo Hartley | | | | | | ||||||||||
| Thomas Turgoose | | | | | |||||||||||
| Perry Benson | | | | | |||||||||||
| Ladene Hall | | | | | |||||||||||
| George Newton | | | | | |||||||||||
| Frank Harper | | | | ||||||||||||
| Stephen Graham | | | | ||||||||||||
| Joe Gilgun | | | | ||||||||||||
| Rosamund Hanson | | | | ||||||||||||
| Chanel Cresswell | | | | ||||||||||||
| Andrew Ellis | | | | ||||||||||||
| Danielle Watson | | | | ||||||||||||
| Kriss Dosanjh | | | | ||||||||||||
| Michael Socha | | | | ||||||||||||
| Hannah Walters | | | | ||||||||||||
| Dena Smiles | | | | ||||||||||||
| Mat Hand | | | | ||||||||||||
| Jimmy Hynd | | | | ||||||||||||
| Tanya Myers | | | | ||||||||||||
| Ian Smith | | | | ||||||||||||
| Bob Hoskins | | | |||||||||||||
| Toby Kebbell | | | |||||||||||||
| Seamus O'Neill | | | |||||||||||||
| Emily Aston | | | |||||||||||||
| Dominic Dillon | | | |||||||||||||
| Matt Considine | | | |||||||||||||
| Craig Considine | | | |||||||||||||
| Dave Blant | | | |||||||||||||
| Johann Myers | | | |||||||||||||
| Darren O. Campbell | | | |||||||||||||
| Tony Nyland | | | |||||||||||||
| Anthony Clarke | | | |||||||||||||
| Justin Brady | | |
Subscribe to:
Posts (Atom)